Il meglio del mondo Horror e dintorni
The first two victims were two lovers who had parked their white Alfa Romeo Giulietta near a dirt road close to the Signa cemetery.
That night, Antonio Lo Bianco, a 29-year-old bricklayer from Palermo, married and father of three, and Barbara Locci, a 32-year-old housewife from Villasalto, Sardinia, were murdered.
By The suspect is Giandavide De Pau, 51 years old, and he is strongly suspected of being the perpetrator of three murders in Rome. The man has numerous previous convictions for drug-related offenses, weapons charges, and crimes against individuals.
By After arriving at the dilapidated residence of former notary Felton, Dr. Reed discusses with the owner her past stay at the institute where she currently works.
By The escort serial killer in Prati has a face. It’s captured in the frames of cameras installed in the appointment houses of the three victims. His words, the likely false name he used to book paid sex hours, are found in a dating chat and on phones. He left his DNA on a doorbell, furniture, beds, and on the bodies of the three women he stabbed. All traces that step by step are leading investigators to his arrest. So much so that a police officer says, “We have a lot of material; we hope to close the case soon.”
By Laura is a girl leading a monotonous life, lacking enthusiasm, and who is bullied and used as a sexual object by her boyfriend.
By The Kray twins and the story of their vast criminal empire in 1960s London, filled with jealousy, internal struggles, and uncontrollable outbursts of violence.
By A terrible place when it was operational and still capable of generating fear in the few people who have had the courage to visit it after its closure.
By Black cats have a bad reputation in many countries, but nowhere as much as in Italy. In 1233, Pope Gregory IX issued a papal bull declaring them instruments of the devil, initiating a true persecution throughout the Middle Ages, when black cats were thrown into the fire to join witches on the pyre.
By What do we think about the death penalty?
Can we arrogate the right to decide when someone should die?
By After the co-direction debut in 2021 (A CLASSIC HORROR STORY) with Roberto De Feo, we present this second work from the young Italian director-screenwriter Paolo Strippoli.
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