Welcome to Nightmares, the column that will guide you through the darkest and most disturbing paths of horror cinema. We will take you on a journey to discover films that have terrified audiences and left an indelible mark on the history of the genre. From classic horror legends to the most innovative and disturbing films, Nightmares will explore the themes, techniques, and monsters that populate the horror imagination. Whether it’s slashers, psychological thrillers, supernatural horrors, or supernatural thrillers, it will be a journey into the heart of fear, an opportunity to analyze not only the plot and characters but also the artistic nuances and deeper reflections hidden behind each cinematic nightmare.
Get ready to relive intense emotions, to be scared, and to reflect on how cinema can manipulate our deepest fears. In Nightmares, every film is a door to a world where terror is real, and where every night can turn into an unforgettable nightmare.
Il film in argomento è il secondo capitolo della cosiddetta “trilogia della morte” di Fulci, preceduto da “Paura nella città dei morti viventi” e seguito da “Quella villa accanto al cimitero”.Questo è sicuramente l’horror più visionario di Lucio Fulci oltre che tra i suoi film più apprezzati in assoluto. Cult assoluto del nostro cinema di genere ed apprezzato in tutto il mondo.
Loosely inspired by the Salem witch trials, this horror film by Rob Zombie stands out primarily for its particularly evocative visual style, immersed in a dreamlike reality, blending blasphemous imagery, psychological horror with elements of occultism, witchcraft, possession, and ancient rites.
The Descent is a film that has left an indelible mark on the horror cinema landscape, distinguished by its oppressive atmosphere and palpable tension from the first minutes. Directed by Neil Marshall, this 2005 British film tells the story of six friends who embark on a spelunking expedition in a remote mountain range in the Appalachians.
The eldest son of the Lambert couple falls into an unexplained coma. Shortly after, supernatural events begin to manifest in the house.
Susy Benner (Bannion in the English version of the film) moves to Freiburg to attend a prestigious dance academy.
A gang of criminals is hired to kidnap a twelve-year-old girl named Abigail, daughter of a powerful crime boss and a dance enthusiast. Intending to hold her for a ransom of 50 million dollars, the group will soon discover that the real challenge will be to survive.
The brilliant Dr. Miranda Grey finds herself in one of the cells of the hospital where she works, accused of murdering her husband.
Amelia (superbly portrayed by Essie Davis), a widowed mother, is grappling with Samuel, her six-year-old son. The child is particularly lively and perceived by everyone as troubled, obsessed with monsters. The mother seemingly manages the household dynamics in a controlled manner, building a loving relationship with her son.
ByElena
“28 Days Later” is a cinematic work that redefined the horror and post-apocalyptic genre, blending suspense, intense action, and deep reflection on humanity and society. Directed by the visionary Danny Boyle, known for his ability to create films that leave an indelible mark on popular culture, this 2002 film stands out for its innovative narrative and technical execution.
“Candyman” is a remake with the same name as the 1992 horror film and is considered both a sequel and a reimagining of the original film. The movie was written by Jordan Peele, known for his successful films like “Get Out” and “Us”, along with Win Rosenfeld and Nia DaCosta. The screenplay is based on the characters created by Clive Barker in his short story “The Forbidden”.
