Pandemonium is the column dedicated to the most extreme and gory horror films. We will analyze the movies that push the boundaries of the genre, exploring disturbing themes and graphic scenes that are not for the faint of heart. We will discover how these films challenge conventions, provoke intense reactions, and leave an indelible mark on viewers. Join us on a journey through the depths of extreme and gory terror, where thrills mix with disgust in a unique cinematic experience.
In the vast landscape of horror cinema, few works manage to evoke interest and unease like “Funhouse” from 2019, directed by Jason William Lee. This film, a journey undertaken into the dark depths of the human psyche, stands out for its ability to address complex and distressing themes, transporting viewers into a labyrinth of terror and suspense.
ByElena
È la notte di Halloween e una baby sitter deve badare a due ragazzini appena tornati dalla routine del “dolcetto o scherzetto?”.
Annoiati dalla serata decidono di guardare una misteriosa videocassetta trovata tra i dolciumi raccolti nel peregrinare pomeridiano.
Il contenuto della vhs si rivelerà misterioso e poco piacevole.
A Danish family visits a Dutch family they met during a holiday in Tuscany. What was initially supposed to be a moment of serene conciliation will become a nightmare: the situation will slowly get out of hand when the Dutch reveal themselves to be very different from what they pretended to be, until the terrible and shocking final revelation.
Ted is a neurotic, chronically obsessed with the death of his cat Patrick and convinced he can bring him back to life by sacrificing nine human lives. His deranged plan hits a snag when he meets Claire, a YouTuber who gained fame thanks to her cat Imelda and is also struggling to overcome the recent loss of her beloved pet.
Seattle. Madison, pregnant, lives with her violent and bipolar husband Derek. Besides dealing with her abusive husband, she suffers from waking nightmares of horrific murders. Madison discovers that the deaths she sees are real, feeling a connection between herself and the killer, almost like an umbilical cord, similar to the one with the baby she desires but cannot have.
The tranquility of the small village of Bright Hope is shattered by a disturbing nighttime event: Samantha (a nurse), an injured criminal, and the young deputy sheriff have vanished without a trace.
It is soon discovered that they were taken by a tribe of cannibalistic cavemen. The sheriff and three other men, including the woman’s husband, decide to set out to find and rescue the unfortunate victims.
The narrative follows three generations of males from the Balatony family, who find themselves settled by chance in Eastern Europe. It tells the story of the grandfather, a captain in the army during World War II, the father, a professional athlete, and the son, a taxidermist. All three are recounted by the youngest member of the family.
Bill Boss, the insane and violent director of an American prison, and Dwight Butler, his accountant, have just finished watching the DVD of the film The Human Centipede 2 (Full Sequence).
While Dwight and Daisy, Bill’s young secretary, claim to have enjoyed the film, the director says he was disgusted by it.
Siblings Louise and Michael are forced to return to their family farm in rural America to help their mother care for their bedridden and dying father. Once there, they soon realize that their mother is behaving strangely and paranoically, not only due to her husband’s health but also because of something else—something mysterious and sinister. As chilling and inexplicable events unfold, the siblings come to understand that an invisible, malevolent force is haunting their home.
Beth decides to visit her sister Ellie after discovering she is pregnant. Ellie lives in a rundown apartment building with her three children. They go out to get pizzas for dinner, but while they are out, a violent earthquake shakes the neighborhood
