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THE CLOWNS
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In the vast landscape of horror cinema, few works manage to evoke interest and unease like “Funhouse” from 2019, directed by Jason William Lee. This film, a journey undertaken into the dark depths of the human psyche, stands out for its ability to address complex and distressing themes, transporting viewers into a labyrinth of terror and suspense.
During a routine hunting trip, wealthy lawyer Chris Cleek finds and captures a mysterious woman living in a primitive, wild state. Once he brings her home, he chains her up and tries to “civilize” her, despite his family’s disapproval. Soon, the unfortunate wild woman will discover that the ruthless man’s educational process involves violent and brutal methods.
The plot of “Maniac” throws viewers into a spiral of madness and violence, following the exploits of Frank, a manic killer hauntingly portrayed by Elijah Wood. Frank is a man tormented by morbid obsessions and perverse desires that drive him to kill and scalp his victims.
Laura is a girl leading a monotonous life, lacking enthusiasm, and who is bullied and used as a sexual object by her boyfriend.
Aoyama is a film producer who lives alone with his son after losing his wife to a deadly illness and becoming a widower. One day, encouraged by his son’s wishes, Aoyama turns to his childhood friend and colleague Yasuhisa.
One night, a child tragically falls from a window while his parents are having sexual intercourse. Devastated by grief, the couple decides to isolate themselves in a cabin in the Eden forest to try to overcome the pain of their loss. This therapeutic journey, chosen by the man, a psychotherapist by profession, will have devastating effects on the already significantly compromised balance of the couple.