Welcome to Nightmares, the column that will guide you through the darkest and most disturbing paths of horror cinema. We will take you on a journey to discover films that have terrified audiences and left an indelible mark on the history of the genre. From classic horror legends to the most innovative and disturbing films, Nightmares will explore the themes, techniques, and monsters that populate the horror imagination. Whether it’s slashers, psychological thrillers, supernatural horrors, or supernatural thrillers, it will be a journey into the heart of fear, an opportunity to analyze not only the plot and characters but also the artistic nuances and deeper reflections hidden behind each cinematic nightmare.
Get ready to relive intense emotions, to be scared, and to reflect on how cinema can manipulate our deepest fears. In Nightmares, every film is a door to a world where terror is real, and where every night can turn into an unforgettable nightmare.
Il film in argomento è il secondo capitolo della cosiddetta “trilogia della morte” di Fulci, preceduto da “Paura nella città dei morti viventi” e seguito da “Quella villa accanto al cimitero”.Questo è sicuramente l’horror più visionario di Lucio Fulci oltre che tra i suoi film più apprezzati in assoluto. Cult assoluto del nostro cinema di genere ed apprezzato in tutto il mondo.
ByMarika
The film follows the story of Eric Draven, a musician who is brutally murdered along with his girlfriend by a gang of criminals on Halloween night. However, his tormented soul returns from the realm of the dead through dark magic, with the aim of avenging his and his beloved’s death. He dons the guise of a crow, a symbol of vengeance and justice, and prowls the dark nights of the city to find those who destroyed his life.
ByMarika
“The Crow – Il Corvo” follows the story of Eric Draven, iconically portrayed by Brandon Lee, a young musician who is brutally murdered along with his girlfriend on the night before their wedding. However, Eric returns from the afterlife a year later, resurrected as the Crow, determined to avenge his and his beloved’s deaths. With his characteristic mask and makeup, Eric prowls the dark streets of Detroit, eliminating one by one the criminals responsible for his tragedy.
The work in question is a remake of the classic 1978 horror film, Halloween, directed by John Carpenter. Rob Zombie has put his personal touch on this, creating a more intense and violent version of the original story. That said, it is worth highlighting and reporting what Rob Zombie himself stated regarding the definition of a “remake” of such an iconic and influential work as Carpenter’s first Halloween:
“Duel” is a 1971 film directed by Steven Spielberg, and it’s his first feature-length film. It’s based on a story by Richard Matheson and was originally conceived as a television movie.
In the movie, Professor Peter Price convinces three young people he randomly meets on a train – two boys and a girl who do not know each other – to participate in a hypnosis experiment.
The plot of “The Arcane Sorcerer” revolves around the story of Giulia, a young and charming fortune teller living in a provincial town in 1930s Italy. Through her paranormal abilities, Giulia embarks on a relationship with the enigmatic and tormented Bruno, played by Ivan Franek, a man with a dark secret tied to his family and his past.
“The Last House on the Left” is a very violent and dramatic thriller from 1972 directed by Wes Craven, which marks his debut as a director. The film is known to be controversial and has attracted many both positive and negative reactions for its crudeness and brutality. The plot revolves around two teenage girls, Mari and Phyllis, who are kidnapped by a group of criminals and taken to an isolated house, where they suffer sexual violence and torture.
Regan MacNeil, the young girl possessed in the first film “The Exorcist,” is now a teenager under the care of a psychiatrist, Dr. Gene Tuskin, who works with a young priest, Father Lamont. The priest is tasked by the Vatican to investigate the death of Father Merrin, the priest who performed the initial exorcism on Regan. During the investigation, Lamont discovers an ancient demonic statue linked to the origin of evil and begins to understand the complexity of the battle between good and evil, a discovery that will take him to East Africa.
Amelia (superbly portrayed by Essie Davis), a widowed mother, is grappling with Samuel, her six-year-old son. The child is particularly lively and perceived by everyone as troubled, obsessed with monsters. The mother seemingly manages the household dynamics in a controlled manner, building a loving relationship with her son.
