Rec

Rec

by Jaume Balagueró & Paco Plaza (2007)

A journalist and her cameraman capture the horror that erupts in a Barcelona apartment building live.

Quote.

This is an intolerable situation. There are two dead, two people who died violently, and two injured. They must be urgently hospitalized. The police have cordoned off the area and won’t let us leave the building without giving any explanation. Now we will look for another exit even if they don’t want us to.

(Angela Vidal)

The Attic.

What Angela is experiencing is terrifying. Wrapped in darkness, with only the infrared light of the camera to guide her. But sometimes, perhaps it’s better not to see. It’s preferable not to know. Because that strange creature moving in the attic, just a few meters away from her, is frightening and doesn’t seem to have friendly intentions.

There’s no way out; the building is completely contaminated. Angela knows this well because she has just escaped from the hell that seems to have erupted on the lower floors. In search of salvation, of shelter.

But now, she has no other choice but to hide in silence.

And hope not to be seen.

Considerations.

Balagueró and Plaza created this mockumentary-style film with a very low budget.

Rec proves to be a successful and decidedly frightening work, which is always a plus when talking about horror.

We follow the events of Angela Vidal, live, through the camera lens. As if we were physically inside the scene, with her. From entering the fire station to arriving in front of the apartment door from which the call for help came. And from where the nightmare begins.

Compared to other mockumentaries, even more famous ones, this film has the great advantage of being directed by two capable directors. And the difference is striking. You can see it in their ability to organize the narrated events so that they feel smooth and realistic. Without sacrificing the chaos inherent in this type of product, characterized by rapid camera movements and various shakiness. But here you get the feeling of facing an “organized chaos,” and it’s done very well. Additionally, it should be noted that Rec relies on a truly valid screenplay that functions well for the story, capable of delivering impactful moments at the right time.

The lead actress, Manuela Velasco, is very good at characterizing her role and showing us all the ostentation with which she tries to complete her scoop.

And then there are those final fifteen minutes, where the terror becomes almost palpable, and the viewer feels increasingly inside the action. With Angela, in that dark attic, at the mercy of a terrifying creature. With nothing to defend herself, except her survival instinct.

Conclusions.

Rec is considered one of the most significant films of the found footage subgenre. It has been acclaimed by both the public and critics for its ability to renew the horror genre, combining suspense, fear, and a credible setting.

It is seen as a reference point in genre cinema, thanks to its ability to combine engaging storytelling with a visceral and unsettling experience.